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Ke Huy Quan

Ke Huy Quan

5 Films

Ke Huy Quan

5 Included Films

Ke Huy Quan photo

Ke Huy Quan (/ˌkiː.hwiː.ˈkwɑːn/ KEE-hwee-KWAHN; Vietnamese: Quan Kế Huy; born August 20, 1971), also known as Jonathan Ke Quan, is an American actor. His accolades include a Golden Globe Award and an Academy Award. Born in Vietnam, Quan immigrated to the United States as a child. As a child actor, he rose to fame playing Short Round in Indiana Jones and the Temple of Doom (1984) and Data in The Goonies (1985). Following a few roles as a young adult in the 1990s, he took a 19-year acting hiatus, during which he worked as a stunt choreographer and assistant director. Quan returned to acting with the family adventure film Finding ʻOhana (2021), followed by the critically acclaimed Everything Everywhere All at Once (2022), a performance that won him various accolades, including the Academy Award for Best Supporting Actor. He is the first Vietnam-born actor to win an Academy Award. Time magazine named him one of the 100 most influential people in the world in 2023. He has since starred in the second season of the Disney+ series Loki in 2023. Description above from the Wikipedia article Ke Huy Quan, licensed under CC-BY-SA, full list of contributors on Wikipedia.

UHD Blu-ray
Best English-Friendly:

35mm scan, Blu-ray, DVD or LaserDisc.

Best Video:

Paramount 4K Blu-ray heavily revisionist. Purist option: 35mm scan, Blu-ray, DVD or LaserDisc.

Best Audio:

Letterbox LaserDisc 2.0 matrix stereo, DVD 5.1, Blu-ray 5.1

Additional Info:

The Paramount 4K master is HEAVILY revisionist in that all of the effects and opticals were redone and tweaked with errors and issues. There has been grain management (moments of stagnating grain and haloing) and the encoding isn't great hence the typical Paramount noise in the image. (especially skies) The HDR is a bit bright in the highlights. The Blu-ray is showing its age but does not have any of these digital alterations. It is from the scan done by Laser Pacific and is the highest quality unaltered master we have. The DVD was done by Lowry Digital and had much scrubbing and processing of grain in addition to edge enhancement. The letterbox LaserDisc was the first widescreen release and is very good for its time.
The 4K Blu-ray audio is seemingly an Atmos remix of the 5.1 found on the Blu-ray which itself is very similar to the DVD 5.1. All are presumably based on the 70mm Dolby six track mix. The Atmos is more processed and moves the sound around more so it is inferior to the older 5.1 iterations. On release Temple of Doom had 70mm, 35mm Dolby Stereo and mono mixes. The mono was for 16mm and other outlets and is presumably close to if not a mixdown of the stereo. It is seemingly the last Lucasfilm title that had a mono mix made. The Dolby Stereo is one of the most aggressive matrix mixes ever made and is still a blast to this day on the letterbox LaserDisc release. It is more aggressive than any of the 5.1 discrete versions which is either due to studios taming the audio later or the 35mm mix being handled a bit differently to the 70mm mix. In terms of releases today, the LaserDisc still sounds better than DVD, Blu-ray or 4K Blu-ray because of this factor.

DFIC extensive review: https://youtu.be/evsrJOTIjdA?si=wtdWGxZBfhPYTIeW

Best English-Friendly:

35mm scan, Blu-ray, DVD or LaserDisc.

Best Video:

Paramount 4K Blu-ray heavily revisionist. Purist option: 35mm scan, Blu-ray, DVD or LaserDisc.

Best Audio:

Letterbox LaserDisc 2.0 matrix stereo, DVD 5.1, Blu-ray 5.1

Additional Info:

The Paramount 4K master is HEAVILY revisionist in that all of the effects and opticals were redone and tweaked with errors and issues. There has been grain management (moments of stagnating grain and haloing) and the encoding isn't great hence the typical Paramount noise in the image. (especially skies) The HDR is a bit bright in the highlights. The Blu-ray is showing its age but does not have any of these digital alterations. It is from the scan done by Laser Pacific and is the highest quality unaltered master we have. The DVD was done by Lowry Digital and had much scrubbing and processing of grain in addition to edge enhancement. The letterbox LaserDisc was the first widescreen release and is very good for its time.
The 4K Blu-ray audio is seemingly an Atmos remix of the 5.1 found on the Blu-ray which itself is very similar to the DVD 5.1. All are presumably based on the 70mm Dolby six track mix. The Atmos is more processed and moves the sound around more so it is inferior to the older 5.1 iterations. On release Temple of Doom had 70mm, 35mm Dolby Stereo and mono mixes. The mono was for 16mm and other outlets and is presumably close to if not a mixdown of the stereo. It is seemingly the last Lucasfilm title that had a mono mix made. The Dolby Stereo is one of the most aggressive matrix mixes ever made and is still a blast to this day on the letterbox LaserDisc release. It is more aggressive than any of the 5.1 discrete versions which is either due to studios taming the audio later or the 35mm mix being handled a bit differently to the 70mm mix. In terms of releases today, the LaserDisc still sounds better than DVD, Blu-ray or 4K Blu-ray because of this factor.

DFIC extensive review: https://youtu.be/evsrJOTIjdA?si=wtdWGxZBfhPYTIeW

UHD Blu-ray
Best English-Friendly:

Warner Bros 4K Blu-ray

Best Audio:

1992 Warner Bros LaserDisc

Best English-Friendly:

Warner Bros 4K Blu-ray

Best Audio:

1992 Warner Bros LaserDisc

UHD Blu-ray
Best English-Friendly:

Disney 4K Blu-ray

Best Video:

Disney 4K Blu-ray

Loki poster
UHD Blu-ray
Best English-Friendly:

Disney 4K Blu-ray

Best Video:

Disney 4K Blu-ray

UHD Blu-ray
Best English-Friendly:

2026 Disney 4K Blu-ray

Best Video:

2026 Disney 4K Blu-ray

Best Audio:

2026 Disney 4K Blu-ray

Best English-Friendly:

2026 Disney 4K Blu-ray

Best Video:

2026 Disney 4K Blu-ray

Best Audio:

2026 Disney 4K Blu-ray

5 films

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